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Richard and I saw 5 shows on Saturday, all of them very good. I posted reviews for most of them on the Fringe site, which I will reprint here. Although only a few people on my friends list seem to be interested in Fringe, I find my personal reviews very helpful to look at a year later when I am planning for the next Fringe, so here they are.  If I can get LJ-cut to work (which I frequently cannot) I'll put the long version of the reviews behind a cut.  Here's the quick summary.


2:30 p.m.   Tempests     * * * * *
One of the best Fringe shows I've ever seen.  Everything else I see this Fringe is going to suffer for this, I'm afraid.  Although it may sound like a stretch, it turns out that the basic memes of the Aliens universe map very neatly to Elizabethan concepts. Sadly, The Tempest's "happily ever after" didn't last very long.  At the beginning of this sequel, an ensorceled Miranda is found adrift in a lifeboat, the only survivor of a storm whipped up by the newly liberated faeries left behind on Prospero's island.  Many years have passed, and a crown colony has been established on the island...

4:00 p.m.   Brain Fighters   * * *
Watching Joe Scrimshaw and his buddies clowning around and cracking wise is always fun, but that's pretty much all there is to this show and it wears thin after a while.  Although watching Scrimshaw transform from a slacker copy center attendant to a T-Rex is probably worth the price of admission, this is still a lazy effort from guys who can do much better.

7:00 p.m   .7 (x1) Samurai  * * * *
A brilliant example of one of those shows where a single performer tears through dozens of simultaneous roles while recapping a well-known masterpiece. I got at least 4 stars worth of enjoyment out of it without ever having seen Seven Samurai.  It's probably a 5-star performance for people who are familiar with the original, but I don't know that for sure so I'm sticking with 4.

8:30 p.m.   Minnesota Anthology: A History in Monologues (Part 1)    * * * *
A welcome island of calm in the midst of a day with perhaps a few too many shows featuring over the top physicality. Nicely written little stories presenting seminal events in Minnesota history told from very personal viewpoints.

10:00 p.m.  Highlander: The Musical!    * * * *
More fun than it had any right to be, in part because of the boisterous audience. Unlike Tempests (which stands on its own as a good play even if you've never hear of Aliens) this one is strictly for people who know the movie. Although I didn't start the foot-stomping or the singing along early in the play, I'm proud to say that I'm the one that started the foot-stomping during the curtain call. A bang-up end to a delightful day.



Tempests
Brilliant on so many levels
Rating 5 kitties
If only there were a rating higher than 5 kitties! This show is a Fringe masterpiece on so many levels that I'm afraid nothing else I see this year will measure up. Other reviewers have already touched on the many strengths of this show: the cleverness of the concept, the strength of the actors/dancers, the power and beauty of the staging and the brilliantly written script. I mostly wanted to get my vote in for the solid 5 kitties that this performance deserves. 

Even if you have never seen "Aliens" this is still an excellent play on its own merits. It is not a comedy, although you will hear the audience laughing in delight at the clever way the familiar characters and dialogue has been translated to an Elizabethan setting. However, even without those moments of recognition, this is a a solidly written, exciting and affecting play that stands on its own. The actress playing Miranda does a fine job of capturing both the strength and the vulnerability of her character.

Brain Fighters
A fun romp for the whole family

Rating 3 kitties
An endearingly goofy take on the "Two Magicians" ballad, set in a world much like our own except that "gelato" and "comcast" are naughty words. Oh, and if you concentrate hard enough you can transform into anything your mind can conceive, a technique discovered one day by a bored copy store employee. Soon everyone is doing it and hilarity ensues. 

It really is hilarious for about 20 minutes as Joe Scrimshaw and Randy Reyes show off their prodigious talents at physical comedy and rapid fire wise cracking. But there is just so far you can take a single joke, and eventually it wears a little thin. It's not a bad show (Scrimshaw's first transformation alone is worth the price of admission) but not the best work these guys have done. A great choice for a family with kids aged 6-12, but fell short of the mark for this longtime Scrimshaw fan.

7(x1) Samurai
I didn't review this one - just didn't have anything to add.

Minnesota Monologues
A Small Gem

Rating 4 kitties
Amid all the thunder of the blockbuster performances packin' em in on Rarig Center's main floor it's easy to overlook this little gem of a story telling show tucked away in the basement theater. But it's well worth seeing: thoughtfully written, well delivered little stories that put a human face on some of the milestones in Minnesota history. In most cases we hear from more than one of the participants in each event, each telling the story from a different viewpoint. The segment I found the most emotionally powerful was the stories from the Great Hinckley Fire - an event that has been made into such a tourist cliche that we forget how immense and devastating an event it was.

If you go, don't be afraid to grab a seat in the front row for a truly intimate trip through Minnesota history.
Highlander: The Musical!
A Must See for Highlander Fans
Rating 4 kitties
If you haven't seen "Highlander" you might as well skip this one. But if you're up for an ambitious, energetic and affectionate skewering of this cult classic, this is the show for you! 

I streamed  the movie last week as prep for this show, and remember thinking that the interminable parking ramp sword fight would be much improved by a musical number. And sure enough, it was. But the real star  of this show was the chorus. Not only did they get to sing great songs like "Run, You Dumb B---" their mostly a capella harmonies meant we didn't have to listen to the overly loud plinking keyboard accompaniment that drowned out the voices on too many songs.  Sara Stevenson Scrimshaw lit up the stage every time she appeared. The "Why did that make us so horny?" duet was my favorite major musical number, but her Mumbling Drunk stole the show. 

There were some weaknesses in the music and writing, but overall a very enjoyable show with the most boisterous audience I think I've ever been part of (Sat nite). If the Highlander fans keep showing up to laugh and clap and stomp and sing along, this show will just get better and better with each performance.

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