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"We'd love to know more about you—and what you think of Fringe. Take our quick, 3-minute audience survey!" says the big blurb on the Fringe site. But it turns out to be nothing but a canned demographics survey administered by a 3rd-party survey company. There is no opportunity to give any feedback whatsoever on "what you thought of Fringe" except a place to leave your email address. Which I did, but have not been contacted.

Here's what I want to say to Fringe.

ATTABOYS: Really well-run festival with remarkably cheerful, efficient and well-staffed volunteer corps. The line management at Rarig Center has been evolving over the last few years and is now utterly awesome.

CONS: I was deeply disappointed by the decision to discourage Ultrapass usage this year with an insane price hike. It took me about 3 years of Fringe attendance to work up to the point where I was sure I would see 15 shows, making the Ultrapass worthwhile. 24 shows is just too high a barrier. So we bought punch cards instead, and attended far fewer shows. In the end, you did get more money per show from us, which I guess was the goal. But the overall effect was that we felt less connected to the Fringe and were far less likely to take a chance on a show that we knew nothing about. We saw some good performance and had fun, but the magic was gone. I expect we'll attend even fewer shows next year, more or less reversing the process of building up to an Ultrapass. I predict that if you continue this policy you will sell fewer Ultrapass tickets each year, resulting in decliining ticket sales (especially at smaller shows with newer performers), and declining revenue.

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There is already evidence for my prediction. Clearly, the goal of the change in policy was to increase revenue without increasing ticket sales. Or at any rate, to increase revenue at a greater rate than ticket sales. Instead, both ticket sales and revenue dropped. This is from the Fringe press release.

Preliminary numbers indicate that 48,350 tickets were distributed to the 167 shows in the 11-day performing arts festival. That's a 3.7 percent decline from last year's record of 50,222 tickets issued to 169 shows. Preliminary estimates of this year's ticket sales total $357,567, down 3.1 percent over last year.
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It seems so long ago now (almost a week ago!), but I guess it's not too late to finish up my Fringe reports. I've discovered that I like looking back at the old ones when Fringe rolls around each year, so I might as well be complete. We finished up with a relaxing and satisfying Sunday. Richard saw 3 shows. I only did two, but got in 12 miles of biking (to the West Bank and back). Since I was biking, Richard and I traveled separately, which led to a mixup where both of us bought tickets to the same show. oops. Fortunately we got away with using the extra pair for the next show.

Macbeth: The Video Game Remix * * * 1/2
Theater Arlo (Tim Uren, Dawn Krosnowski, Duck Washington)

Thoroughly enjoyable, but not brilliant. Relied a little too heavily on half a dozen video-gamer in-jokes repeated over and over. The excellent comic acting made up for the rather pedestrian writing, but I was hoping for a little more cleverness. I did get a kick out of the idea that the fateful witches' prophecy that sets the plot of Macbeth in motion is just a cut-scene that is repeated over and over for every player that wanders by. But it would have been funnier if noob player Macbeth hadn't caught on so quickly that the witches said the same thing to everybody and there wasn't anything special about his destiny.

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The Friar and the Nurse * * * * *
Joking Apart Theater (Edwin Strout and Jean Wolff)

Possibly the best show I saw this year - well written, brilliantly acted and very emotionally affecting. I'm not sure why it was being sold as a "titillating comedy." There were some wonderful comic bits, but the overall story arc is only slightly less tragic than Romeo and Juliet's story going on in the background.

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I was done at this point, biked home and took a much needed shower. If the last show hadn't been such a success I might have tried for one more, but I figured why not go out on a high note? And Richard wanted to see Yarrrh! The Lusty, Busty Pirate Musical, which sounded kind of dumb to me. From his report, it was better than it sounded. Anyway, he enjoyed it. But I have no regrets. I saw just 15 shows this year, and that felt about right. I'm sure i would have seen more if we'd had Ultrapasses. But it's just as well. Trying to get the most out of an Ultrapass is pretty exhausting.

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I'm still not sure what's going on with my bike, but I "fixed" the problem by loosening up the brake a little and reseating the front wheel. The front brake is working acdeptably now, but it squeals. I should really take the bike in for a tuneup. I might as well take advantage of my lifetime free tuneups at Alt Bike and Board.
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A good day, with just one glitch. In desperate need of a little exercise, I biked to the West Bank and rendezvoused w R at Mixed Blood. On the way over the front brake suddenly started dragging so hard that it was skimming metal off the rim. Couldn't figure out what was wrong, so finally just disabled the front brake so I could ride. Arrived at the theater just in time to get seated before lights out. Fortunately it was not quite sold out, despite being the most successful show at Mixed Blood this year, so it worked fine.

We saw 2 in a row at MB: Disney Dethroned: Snowcahontas and the Tangled FrogBeast and Uptown: The Musical . both were very good but not great - I'd give them both 4 kitties if there were any reason to post a Fringe review at this point. Tom Reed's performance was as bravura as ever - he sings, he clowns, he does rapidfire hilarious accents, he takes off his shirt and does pushups with hand claps between them - but the writing was a little weak. I was afraid that I wasn't hip enough to get the in-jokes in "Uptown," but I needn't have worried: it wasn't that sophisticated. The story was simple and that the music was not especially inspired, but it was redeemed by the sheer energy level of the cast.

Richard would have been happy to do 5 shows in a row , but I needed a break so we paused for dinner at the Red Sea, one of those restaurants that features the African flat bread that resembles a giant Ace bandage. I love that stuff.

Finished up with two worthy shows at Playwright's Center: Michael Merriam's Darkly Through the Light Waters: Twin Cities Tales and Baba. Considering the extremely short time he had to prepare, Michael did a very creditable job of reading/performing 3 of his urban fantasy stories. This show deserved a bigger audience. I think he has one more show today so it's not too late to catch it.

"Baba" is a tour de force performance, although the story is a little murky. Very much worth seeing. One inexplicable misstep is a huge spoiler in the show description. Usually those online blurbs don't tell you enough; this one shares way too much.

Seeing two in a row at each venue made for a much less frenetic day. Unsurprisingly, there were familiar faces at Michael's show, which made waiting in the lobby a lot more fun. And after the last show, I could toss my ailing bike in the van to deal with the next day. Which would be right now, come to think of it.

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Angelina Jolie is a Zionist Whore! or, Plan 9 from Baghdad    * *
Partizan Theater

Well, now I guess we're even. Richard talked me into attending the very mediocre "Sidekicks" show, but I'm the one that was seduced by the glowing reviews into seeing this one.  I think Richard liked it a little better than I did, but he didn't think it was very good either. I can't imagine how it ended up with ratings of 4.5.  Does the cast have that many review-writing friends?  Here's the review I posted on the Fringe site. 

Three very stoooopid members of a terrorist cell in Baghdad bicker over how to spell "cupcake" and which way up to hold the camcorder. They speak in English, but with thick middle-Eastern accents. The cute young woman inexplicably wearing an "I *HEART* NY" t-shirt wants to change her name from Margaret to something more Iraqi sounding. Her colleagues are okay with that, but are too stooopid to remember her new name. Hilarity ensues - not. Eventually a large, loud American stumbles into their hideout, and they decide to take him hostage. It doesn't work out well. None of this is very funny. The actors are much better than their material, but that doesn't save this one-joke show.

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Another successful day, although not particularly ambitious by SuperFringer standards. But then, having been priced out of the ultrapass market, we aren't going for SuperFringer status this year. Saw just 3 plays - two of which were excellent. Ate at the Acadia Cafe for the 2nd day in a row. And since I had my bike in the van, I took advantage of the unexpectedly pleasant weather to bike home from the West Bank.

The Duties and Responsibilities of Being a Sidekick        * * *
Barkada Theater Project

Cute, but predictable. The whole joke about superheroes joining unions, cultivating their brands, and worrying about their career paths is getting kind of old, IMHO. This show has nothing new to add to that genre. However, it's executed pretty well here, and judging by the audience reaction there are still plenty of folks who aren't tired of this meme yet. I found it mildly amusing, but pretty much a waste of time. Adding to my impatience with the show was the row of hee-hawing jackasses behind me that howled with laughter when the first character walked onstage (before anything happened!) and kept it up pretty much nonstop throughout the performance.


The Smothers Brothers Grimm            * * * * *
Comedy Suitcase (aka Josh Scrimshaw and Levi Weinhagen)
SO much better than I was expecting ... and I was expecting it to be pretty funny, given the level of talent involved. I thought this was going to be a series of comedic set pieces with a child's bedtime as an incidental framing device. It turned out to be something quite different: a funny, poignant heartwarming story about a delightfully quirky family coming to terms with the death of the family patriarch. The comic set pieces embedded in the story are hilarious Easter eggs that keep the audience laughing so hard they don't notice the challenging themes that are flying past, like the nature of love and loss and the meaning of humor itself. 
    While this is certainly a family friendly show, the 2+ designation is not appropriate. Kids younger than 9 or 10 are simply not going to get the humor, and may end up  imitating some behaviors that aren't nearly so funny out of context.


The Strange Case of Dr. Jekyll & Dr. Jekyll           * * * *
Tim Uren

A charming fable. I was expecting something else - something with more psychological depth, plausibly Victorian characters, and at least a touch of genuine introspection. It turned out to be just another bit of high concept post-modern fluff. Oh well, that's okay too. The writing is witty, the acting is good (with a surprising amount of physical comedy), and the characters are endearing. Still, I hope that next year Tim Uren goes back to the period piece horror genre he does so well and lets the rest of the Fringe cover the slyly winking anachronisms.
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Richard and I saw 5 shows on Saturday, all of them very good. I posted reviews for most of them on the Fringe site, which I will reprint here. Although only a few people on my friends list seem to be interested in Fringe, I find my personal reviews very helpful to look at a year later when I am planning for the next Fringe, so here they are.  If I can get LJ-cut to work (which I frequently cannot) I'll put the long version of the reviews behind a cut.  Here's the quick summary.


2:30 p.m.   Tempests     * * * * *
One of the best Fringe shows I've ever seen.  Everything else I see this Fringe is going to suffer for this, I'm afraid.  Although it may sound like a stretch, it turns out that the basic memes of the Aliens universe map very neatly to Elizabethan concepts. Sadly, The Tempest's "happily ever after" didn't last very long.  At the beginning of this sequel, an ensorceled Miranda is found adrift in a lifeboat, the only survivor of a storm whipped up by the newly liberated faeries left behind on Prospero's island.  Many years have passed, and a crown colony has been established on the island...

4:00 p.m.   Brain Fighters   * * *
Watching Joe Scrimshaw and his buddies clowning around and cracking wise is always fun, but that's pretty much all there is to this show and it wears thin after a while.  Although watching Scrimshaw transform from a slacker copy center attendant to a T-Rex is probably worth the price of admission, this is still a lazy effort from guys who can do much better.

7:00 p.m   .7 (x1) Samurai  * * * *
A brilliant example of one of those shows where a single performer tears through dozens of simultaneous roles while recapping a well-known masterpiece. I got at least 4 stars worth of enjoyment out of it without ever having seen Seven Samurai.  It's probably a 5-star performance for people who are familiar with the original, but I don't know that for sure so I'm sticking with 4.

8:30 p.m.   Minnesota Anthology: A History in Monologues (Part 1)    * * * *
A welcome island of calm in the midst of a day with perhaps a few too many shows featuring over the top physicality. Nicely written little stories presenting seminal events in Minnesota history told from very personal viewpoints.

10:00 p.m.  Highlander: The Musical!    * * * *
More fun than it had any right to be, in part because of the boisterous audience. Unlike Tempests (which stands on its own as a good play even if you've never hear of Aliens) this one is strictly for people who know the movie. Although I didn't start the foot-stomping or the singing along early in the play, I'm proud to say that I'm the one that started the foot-stomping during the curtain call. A bang-up end to a delightful day.

There should be an LJ cut here, but it's not working!  )
Tempests
Brilliant on so many levels
Rating 5 kitties
If only there were a rating higher than 5 kitties! This show is a Fringe masterpiece on so many levels that I'm afraid nothing else I see this year will measure up. Other reviewers have already touched on the many strengths of this show: the cleverness of the concept, the strength of the actors/dancers, the power and beauty of the staging and the brilliantly written script. I mostly wanted to get my vote in for the solid 5 kitties that this performance deserves. 

Even if you have never seen "Aliens" this is still an excellent play on its own merits. It is not a comedy, although you will hear the audience laughing in delight at the clever way the familiar characters and dialogue has been translated to an Elizabethan setting. However, even without those moments of recognition, this is a a solidly written, exciting and affecting play that stands on its own. The actress playing Miranda does a fine job of capturing both the strength and the vulnerability of her character.

Brain Fighters
A fun romp for the whole family

Rating 3 kitties
An endearingly goofy take on the "Two Magicians" ballad, set in a world much like our own except that "gelato" and "comcast" are naughty words. Oh, and if you concentrate hard enough you can transform into anything your mind can conceive, a technique discovered one day by a bored copy store employee. Soon everyone is doing it and hilarity ensues. 

It really is hilarious for about 20 minutes as Joe Scrimshaw and Randy Reyes show off their prodigious talents at physical comedy and rapid fire wise cracking. But there is just so far you can take a single joke, and eventually it wears a little thin. It's not a bad show (Scrimshaw's first transformation alone is worth the price of admission) but not the best work these guys have done. A great choice for a family with kids aged 6-12, but fell short of the mark for this longtime Scrimshaw fan.

7(x1) Samurai
I didn't review this one - just didn't have anything to add.

Minnesota Monologues
A Small Gem

Rating 4 kitties
Amid all the thunder of the blockbuster performances packin' em in on Rarig Center's main floor it's easy to overlook this little gem of a story telling show tucked away in the basement theater. But it's well worth seeing: thoughtfully written, well delivered little stories that put a human face on some of the milestones in Minnesota history. In most cases we hear from more than one of the participants in each event, each telling the story from a different viewpoint. The segment I found the most emotionally powerful was the stories from the Great Hinckley Fire - an event that has been made into such a tourist cliche that we forget how immense and devastating an event it was.

If you go, don't be afraid to grab a seat in the front row for a truly intimate trip through Minnesota history.
Highlander: The Musical!
A Must See for Highlander Fans
Rating 4 kitties
If you haven't seen "Highlander" you might as well skip this one. But if you're up for an ambitious, energetic and affectionate skewering of this cult classic, this is the show for you! 

I streamed  the movie last week as prep for this show, and remember thinking that the interminable parking ramp sword fight would be much improved by a musical number. And sure enough, it was. But the real star  of this show was the chorus. Not only did they get to sing great songs like "Run, You Dumb B---" their mostly a capella harmonies meant we didn't have to listen to the overly loud plinking keyboard accompaniment that drowned out the voices on too many songs.  Sara Stevenson Scrimshaw lit up the stage every time she appeared. The "Why did that make us so horny?" duet was my favorite major musical number, but her Mumbling Drunk stole the show. 

There were some weaknesses in the music and writing, but overall a very enjoyable show with the most boisterous audience I think I've ever been part of (Sat nite). If the Highlander fans keep showing up to laugh and clap and stomp and sing along, this show will just get better and better with each performance.
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Thursday was supposed to be the first night of Fringe for Richard and me, but the show we had planned to see sold out before the line was halfway to the ticket counter.

The evening was rescued by running into DavE and Carole, who joined us for an investigative foray to the new Fringe Central at Moto-i. It was lively enough without being unpleasantly crowded (which is more than I can say for Bryant Lake Bowl). Finally got to cross off one more item from my bucket list: visit one of the trendy uptown rooftop restaurants, while they are still trendy even.

Moral for the evening: BLB really is the Fringe venue from hell. Never again. I know, I say that every year but this time I mean it.

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But we won't be getting Ultrapasses this year, as the price has skyrocketed to an absolutely ridiculous $225!!! This requires you to see 23 shows to even break even (as compared to the 5-show punch card). While it is true that once we have purchased Ultrapasses we often DO see that many shows, that really isn't our expectation at the beginning. It's just that once you have an Ultrapass you are strongly incentivized to see as many shows as possible to prove to yourself that it really was worthwhile. Last year it was starting to feel like a bit of a burden, to be honest. I think I'll be perfectly happy seeing just 10-20, and I won't have to worry about wasting all that money if I should happen to get sick or distracted during Fringe week.

Still, it's time to start looking at what's on the schedule. )

After years of Fringing, my modus operandi is as follows:
  • Look back at my LJ entries for past years of the Fringe to jog my memory about which performers I like.
  • Login to Fringe site and search by cast member and company name for favorites from years past.
  • When I find one, add it to my Wishlist (the new name for last year's Bookmarks)
  • Create an online schedule, adding my first draft choices at the earliest feasible times (starting with anything featuring a Scrimshaw, as those shows tend to sell out later in the festival).
  • Fill in the schedule with likely looking prospects in the same neighborhood.
  • Follow the "Shows Like This" links from the show pages of my first choices for more ideas.
Here's the list of past performers that I searched for (and found) this year:
  • Tom Reed - Disney
  • Tim Uren - Dr. Jekyll
  • Pat O'Brien - Underneath the Lintel (rerun)
  • Four Humours - You Only Live Once
  • Tedious Brief - Tempests
  • Philip Bennett Low - Macbeth Video Game
  • Scrimshaw: Brain Fighters, Highlander, Smothers Brothers
  • Live Action Set - Fletcher & Zenobia
  • Rob Callahan - Callahan and Lingo
And here's some that did not turn up in my search
  • Candy Simmons (SunsetGun)
  • Three Sticks
  • Charlie Bethel
  • Walking Shadow
  • Rob Gee
  • John Skelley